Sunday, March 31, 2019

March 31 - Joseph Haydn (The Musical Birthday Series)

Three whimsical limericks to celebrate the birthday of Haydn (31 March 1732 – 31 May 1809)


Livery Delivery

When Haydn accepted his gig
He knew that the check wasn’t big.
His mind was decided
When clothes were provided
Along with new shoes and a wig.




Deportment of Labor

Musicians in need of vacation
Expressed their collective frustration.
Kapellmeister Haydn
Supported their side in
A dwindling farewell orchestration.





By Any Other Names

The fact that the nicknames persist
Shows people still need an assist
With all of that Haydn,
In spite of the guide in
Herr Hoboken’s scholarly list.


Friday, March 29, 2019

March 30 - John Stafford Smith (The Musical Birthday Series)

John Stafford Smith (30 March 1750 – 21 September 1836) was a pioneer in the collection and study of musical manuscripts, a friend of Haydn and Mozart, and a minor composer.  One of his drinking songs was adapted to new words as the national anthem of the United States.





The Tragical Ballad of J. S. Smith; or, To Anacreon in America

You may not have heard
Of one John Stafford Smith
Who composed in the old English manner,
But you may have been stirred
By this John Stafford Smith
And his tune for the Star Spangled Banner.

The songs he preferred
(Cheerful John Stafford Smith),
Sang of wine, and the gods, and the Greek.
Though his vision was blurred,
(Tispy John Stafford Smith),
He premiered such a song just last week.

His friends all concurred,
Telling John Stafford Smith
That his song was the finest he’d written;
He often averred,
Stolid John Stafford Smith,
That he wrote for the loyal in Britain.

He thought it absurd,
Did John Stafford Smith,
When anyone told him beware
Of those who were spurred,
Against John Stafford Smith,
To borrow his fine English air.

And he was not deterred,
Not brave John Stafford Smith!
When the 1812 War came along —-
And then it occurred!—-
(Ahh, John Stafford Smith!)
That Francis Scott Key stole his song.

Thursday, March 28, 2019

March 29 - Albert Von Tilzer (The Musical Birthday Series)

Albert Von Tilzer's (29 March 1878 –1 October 1956) rousing song "Take Me Out to the Ballgame" is traditionally sung during the seventh inning of every professional baseball game in America, so it is a lovely coincidence that his birthday falls during the first week of major league baseball season. 

I have re-written the lyrics to reflect on the economics of song-writing.


March 28 - Paul Whiteman (The Musical Birthday Series)

Paul Whiteman (28 March 1890 – 29 December 1967) was one of the leading dance bands of his time.  These days the memory of his many hit recordings has faded, and his name surfaces most often in conjunction the premiere discussed below.  
Today's post takes the form is a sort of bloated limerick with many inner couplets replacing the normal single couplet.




Am I Blue?

George Gershwin himself was on hand
To play with the Paul Whiteman Band.
What they played (it was new)
Is well known to you;
What they played, (need a clue?)
Here it is: it was “Blue”.
What they played on that day,
As arranged by Grofé
Has become a cliché
In programming way
At venues all over the land.

Tuesday, March 26, 2019

March 27 - Antonio Squarcialupi (The Musical Birthday Series)

Antonio Squarcialupi (27 March 1416 – 6 July 1480) was a composer and organist, but is principally remembered for his ownership of a large codex of fourteenth century music which now bears his name.  We celebrate with a little help from Tin Pan Alley.








Monday, March 25, 2019

March 26 - Pierre Boulez (The Musical Birthday Series)


Pierre Boulez (26 March 1925 – 5 January 2016) was one of the foremost composers and conductors of his time.  His compositions have long been accepted as classics by many musicians but still meet resistance with the general public.


(cover of Douze Notations from my collection)
Notations

Pli selon pli,
Le Marteau sans maître,
Anthèmes, Répons,
Sonates, etc.:

These are the works
By Pierre Boulez
Which shook le monde
de la musique française,

As his life progressed
With elegant ease
From enfant terrible
To eminence grise.

March 25 - Béla Bartók (The Musical Birthday Series)



Many of Béla Bartók's (25 March 1881 – 26 September 1945) compositions were influenced by the music he heard while doing extensive musicological fieldwork.  No doubt he wore practical black wool pants, but it is pleasant to imagine the following fanciful scenario.



(Image: Wikipedia)

Ruralia Hungarica

When Bartók did research in Hungary’s
Townships and farmsteads he wore
A pair of his traditional dungarees
Embroidered with national lore.

Whenever the peasants were sharing
A lively indigenous dance,
Young Béla was glad he was wearing
His festively decorative pants.

Sunday, March 24, 2019

March 24 - Maria Malibran (The Musical Birthday Series)

For the second day in a row our honoree died tragically young. Maria Felicia Malibran (24 March 1808 – 23 September 1836) was one of the great operatic divas of the early nineteenth century.  She was also a competent composer. I celebrate in true internet fashion with a meme.





Otto Norquist: Cows in a Minnesota Field (from the family collection)

Saturday, March 23, 2019

March 23 - Julius Reubke (The Musical Birthday Series)

Julius Reubke (23 March 1834-3 June 1858) was one of the shortest lived composers to achieve a major reputation.  His organ sonata is still in the repertoire, and his piano sonata is highly respected. 

Image from Wikipedia

Gather Ye Rosebuds

The reason that Reubke
Didn’t write more
Is that he was dead
At age twenty four.

Lucky for us that
On one schönster Morgen,
He sat down and wrote his
Sonata for organ

Friday, March 22, 2019

March 22 - Stephen Sondheim & Andrew Lloyd Webber (The Musical Birthday Series)

Today we observe the astounding coincidence that Stephen Sondheim (born 22 March 1930)  and Andrew Lloyd Webber (born 22 March 1948) share a birthday. 


Compare and Contrast
Lloyd Webber and Sondheim, who both share this day,
Expect different things of a musical play.
They write to appeal to dissimilar classes:
One for the in-group, and one for the masses.

♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪


Wotan on the Thames
If Sondheim
Wrote Stabreim,
Our friend Sweeney Todd,
The harbor’s
Best barber,
Would sound like a god.



♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪

West End Story
Sing a song of Andrew Lloyd Webber,
Beloved of the crowd,
Who alternates in every endeavor
‘Twixt sentiment and loud.

Thursday, March 21, 2019

March 21 - Johann Sebastian Bach (The Musical Birthday Series)

Johann Sebastian Bach (21 March  [31 March, N.S.] 1685-28 July 1750) was born in Lent.  This chorale considers some of the implications.




Wednesday, March 20, 2019

March 20 - Bernd Alois Zimmermann (The Musical Birthday Series)

Although Bernd Alois Zimmermann (20 March 1918– 10 August 1970) wrote a large catalog of music, he is best known for his notoriously difficult expressionist opera, Die Soldaten.

This is a double dactyl, a genre of biographically inspired humorous poem with very strict structural rules.  Here are links to two definitions for those who are curious.  The first from the Poetry Foundation is clearer but less accurate than the second, from Wikipedia.  Take your pick.  The classic statement is the book Jiggery-Pokery:  A Compendium of Double Dactyls by Anthony Hecht and John Hollander (New York, 1967)




Clang Clang Klang
 
Pocketa pocketa
Bernd Alois Zimmermann
Wrote Die Soldaten in
Modernist style,


Using techniques known as
Klangkomposition.
Sit there and ponder on
That for awhile!

Tuesday, March 19, 2019

March 19 - Max Reger (The Musical Birthday Series)

Max Reger (19 March 1873 – 11 May 1916) had an unrivaled command of counterpoint and late Romantic chromaticism.  Critical opinion varies as to whether this was for better or for worse.

Maxed Out

Max Reger wrote in counterpoint
As if by instinct taught,
Combining it with harmonies,
Abstruse and overwrought.

Max Reger wrote in harmonies
Of prodigal excess,
Combining it with counterpoint
Configured to impress.

His dense and crabbéd textures were
His way of feeling free,
And likewise straying far and wide
From any chosen key.

The Germans like his sort of thing,
Flamboyant, yet severe --
It’s heavy, solid, and well made,
Like sausages and beer.

To Germans he’s canonical,
A master with the best,
For others, Reger’s menu
Is less easy to digest.








(If you enjoy these posts, please help me, and consider sharing.)  







Monday, March 18, 2019

March 18 - Nikolai Rimsky-Korsakov (The Musical Birthday Series)

Nikolai Rimsky-Korsakov (18 March [O.S. 6 March] 1844 – 21 June [O.S. 8 June] 1908) wrote a huge catalogue of distinguished colorful music which remains quite rarely played outside of Russia. Today, in honor of his New Style birthday, we muse on this fact.


One Hit Blunder

Nikolai Rimsky Korsakov
(Perhaps this will seem odd)
Would surely have been better off
Without Scheherazade,

For if you have a single work,
Well-known and overplayed,
Your others are condemned to lurk
Forgotten in its shade.






(If you enjoy these posts, please help me, and consider sharing.)  

Sunday, March 17, 2019

March 17 - Josef Rheinberger (The Musical Birthday Series)

Josef Rheinberger (17 March 1839- 25 November 1901) wrote works that are still part of the academic and concert organist's repertoire.  Critical opinion varies.

Josef Rheinberger: Hear Today, Agon Tomorrow

Minor composers
Are often forgotten
Unless they have written
Repetoire which

Fills up a void by
Plugging a slot in
An otherwise vacant
Programming niche.

Chances are Rheinberger
Thought he had got in
By writing for organ
At fever pitch,

And so it’s a pity
His Orgel-Sonaten
Are often remembered
As noisy kitsch.



(If you enjoy these posts, please help me, and consider sharing.)  

Saturday, March 16, 2019

March 16 - David del Tredici (The Musical Birthday Series)

Today we celebrate David Del Tredici (born March 16, 1937) with a double dactyl.

A double dactyl is a biographically inspired humorous poem with very strict structural rules.  Here are links to two definitions for those who are curious.  The first from the Poetry Foundation is clearer but less accurate than the second, from Wikipedia.  Take your pick.  The classic statement is the book Jiggery-Pokery:  A Compendium of Double Dactyls by Anthony Hecht and John Hollander (New York, 1967).



Dactyls in Wonderland

Snicker-snack, snicker-snack
David Del Tredici,
Losing his taste for the
Serial style,

Started composing more
Neo-Romantically,
As he obsessed about
Alice awhile.









(If you enjoy these posts, please help me, and consider sharing.)