Tuesday, December 15, 2020

December 16 - Ludwig van Beethoven (The Musical Birthday Series, 2nd Annual Cycle)

Ludwig van Beethoven’s (16 December 1770 – 26 March 1827) birthday is generally celebrated on December 16, although there is no documentary proof of the date.  We know for certain he was baptized on the 17th. Today is the 250th anniversary of his birth.

  • A number of these verses have appeared before in this series, but are used here again to help celebrate this special anniversary.


Some of the following are based on truth, some are mostly nonsense. 

 

  • Note: A double dactyl is a biographically inspired humorous poem with very strict structural rules.  Here are links to two  definitions for those who are curious.  The first from the  Poetry Foundation is clearer but less accurate than the second, from Wikipedia.  Take your pick.  The classic statement is the book Jiggery-Pokery:  A Compendium of Double Dactyls by Anthony Hecht and John Hollander (New York, 1967).



A BEETHOVEN FESTIVAL: 

LIMERICKS, DOGGEREL, AND DOUBLE DACTYLS FOR HIS BIRTHDAY 







 

 

 

 

 

 

 

 

 

 

 

 

 

THE SYMPHONIES


Dedicated Material


Said one of his cronies when shown a part

Of the symphony written for Bonaparte,

“Although it’s heroic,

Prepare to be stoic

When all of Europa is blown apart!”


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Higher Purposes


The Ninth has a choral finale

With soprano parts famously squally,

But nobody minds it

Because everyone finds it

So noble, uplifting, and jolly.


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Seid umschlungen Millionen


In the Symphony Nine, called “The Choral,”

The baritone sings us the moral:

O Friends, not these sounds!

Let Joy know no bounds!

Embrace the whole world and don’t quarrel!

 

 

THE PIANO MUSIC

 


Sonata Form

I would bet that no doubt it is true,

If you studied the piano, that you

Have sought for improvement

By  learning a movement

From out of the great “32”.

 

 

 

 

 

 

 

 

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A Double Dactyl for L.v.B.: Hammerklavier


Higgledy-piggledy

Ludwig van Beethoven

Bothered his neighbors by

Playing at night.


When they complained he most

Undiplomatically

Hammered sonatas with

All of his might.

 

 

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A Double Dactyl for L.v.B.: The Bright Side


Higgledy-piggledy

Ludwig van Beethoven,

Finding his nephew had

Learned  “Für Elise,”


Said, as he bowed to in-

evitability,

“Deafness is blesséd at

Moments like these!”

 

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Beware the Ides; or, I’d Rather not 

(The Diabelli Variations)


“In 1819, as a promotional idea, [Diabelli] decided to try to publish a volume of variations on a "patriotic" waltz he had penned expressly for this purpose, with one variation by every important Austrian composer living at the time, as well as several significant non-Austrians. Fifty-one composers responded with pieces.  Beethoven, however, instead of providing just one variation, provided 33.” -- condensed from Wikipedia


Diabelli, to provide

A contribution to the pride

Of Austrians on every side,

Wrote a waltz which he supplied

To all of those most qualified

Among composers nationwide.


These skilled musicians soon complied,

And took the theme to be their guide;

It almost seemed as if they vied

To give him an unending tide

Of variations as they tried

To be the one most bona fide,

Most clever, or most dignified.

 

But Beethoven, unsatisfied,

By what they wrote, (which he decried

As meretricious, cut and dried,

And lifeless as formaldehyde),

Took the chosen waltz in stride

He gave the little theme a ride.

His fertile brain, when it had pried

The theme for all that it implied,

And plumbed new meaning deep inside,

Found variations multiplied.

 



 

 

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THE OPERA



Fidelio Overtures


When Beethoven finished the score

Of the opera he once called Leonore,*

He had quite a scramble

To write a preamble,

And instead of just one he wrote four.


*Use the English pronunciation



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Fidelio (A Listener's Guide )


Act 1


Leonora*, as a ploy

Dresses as a local boy

And makes the rather rash decision

To get a job at Rocco’s prison.


You might suspect there’d be a snag

When characters show up in drag,

And sure enough, the jailer’s daughter

Falls in love with “him” (but not her).


Now this light and comic story

Threatens to get dark and gory;

So get ready now to plunge in-

To the prison’s gloomy dungeon.




Act 2


In the dungeon, Florestan,

A ragged, dismal sort of man,

Takes this moment to remark,

“My God! It’s really, really, dark!”


Fidelio (that’s Leonora)

Gets to him, and just before a

Fatal blade would end his life

Reveals to all that “he’s” his WIFE!


And then there’s trumpets, and it’s splendid!

And we think the show has ended,

But such thoughts prove premature,

When there’s a second overture!


The plot, at last, gets sorted out.

The villain gets escorted out,

And everyone sings Hip Hurray

(But sing it in a German way),


Before C Major praises of

Fidelity and Married Love.

But I had best be quiet now,

And let the singers take a bow.



*Beethoven did not foresee the needs of my doggerel and called her Leonore. Pace, pace to those who object to my liberty with her name.



 


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THE STRING QUARTETS




Formats


In all there are sixteen quartets,

They’re considered as good as it gets.

You can stream all of these,

Or else buy MP3s,

Or LPs, or CDs, or cassettes.



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A Double Dactyl for L.v.B.: Per aspera ad astra 2


Higgledy-piggledy

Ludwig van Beethoven,

Told that his string quartet

Couldn’t be played,


Answered with turbulent

Irrationality,

“Then some new instruments

Have to be made.”

 

 

 

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HIS DEAFNESS

Exposition and Development


When Beethoven learned that his ears

Would only survive a few years,

He faced it undaunted

And checked out “Help Wanted,”

And thought about changing careers.

 







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