Set in Concrète
Ussachevsky recorded some tape,
Then took out his scissors to clip it,
Giving the music its undulant shape
By splicing together each snippet.
♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪
Vincenzo Bellini (3 November 1801 – 23 September 1835) was one of the most important Italian opera composers of the nineteenth century.
A Norma Quartet
Irony
A soprano who aims to achieve a
Stunningly soft “Casta diva,”
Is proud when the crowd
Is especially loud
With brava, huzzah, and evviva.
Rivals
Adalgisa and Norma sing thirds
Like a brace of mechanical birds,
With trills and roulades
Which the public applauds -
And who gives a damn about words.
Adalgisa Swipes Right
It’s no wonder that Norma was pettish.
Her lover, it seems, had a fetish
For young priestess Druids,
And his bodily fluids
Responded when they were coquettish.
Pollione Swipes Right; or, Meet Me Behind the Stonehenge
Pollione, the Roman commander
Decided that he would meander,
Intending to find
A priestess inclined
To meet, and play goose to his gander.
(If you enjoy these posts, please consider helping me by sharing.)
No comments:
Post a Comment