Showing posts with label madrigals. Show all posts
Showing posts with label madrigals. Show all posts

Sunday, January 18, 2026

January 18 - Alfonso Ferrabosco the Elder (The Musical Birthday Series, 7th Annual Cycle)

Previous posts for January 18th are here: César Cui; Emmanuel Chabrier (2020), Emmanuel Chabrier, Alfonso Ferrabosco the Elder (2021), Alfonso Ferrabosco the Elder (2022), Emmanuel Chabrier (2023)Alfonso Ferrabosco the Elder (2024), and Emmanuel Chabrier (2025)

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Alfonso Ferrabosco (the Elder) (bapt.18 January 1543 – 12 August 1588) was an Italian composer who the one mainly responsible for the growth of the madrigal in England.

 


 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Three Elizabethan Variations


In England, however, he [Ferrabosco] built up a really remarkable reputation as a composer of madrigals and motets. – Kerman, Joseph. “Master Alfonso and the English Madrigal.” The Musical Quarterly 38, no. 2 (1952): 222–44. http://www.jstor.org/stable/739655.


(1)

In the reign of Elizabeth One,

When madrigals counted as fun,

And singing one's part

Was a desirable art,

Ferrabosco was second to none.


(2)

Ferrabosco wrote things of the sort

That Elizabeth favored at court,

And so for a while

He was living in style

With generous Tudor support.


(3)

Since the taste of Elizabeth's reign meant

That madrigals gave entertainment,

Ferrabosco was sunny

When counting the money

That this fad for the shepherd and swain meant.

 

 

 

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Tuesday, October 18, 2022

October 18 - Luca Marenzio (The Musical Birthday Series, 4th Annual Cycle)

Previous posts for October 18th are here: Heinrich Schütz; Luca Marenzio (2019), Lotte Lenya; Ferdinand Schubert (2020), and  Baldassare Galuppi (2021)

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Luca Marenzio (18 October 1553 or 1554 – 22 August 1599) was a great and prolific Italian madrigalist. 

 


 

 

 

 

 

 

 

 

 

 

 

 

 

 

Sing We!


There are things that you’ll need to get prior

To joining a madrigal choir:

Marenzio’s hits,

Some Morley, and bits

Of pseudo-archaic attire.

 

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Dolorosi martir, fieri tormenti 

Even more characteristic of his style, and a defining characteristic of the madrigal as a genre, is his use of  word-paintingg: the technique of mirroring in the music a specific word, phrase, implication or pun on what is being sung. -- Wikipedia

When Marenzio sought for a text,

He was never perturbed or perplexed.

He looked for high passion

Express in a fashion

Where his word-painting skills could be flexed.

 

 

If you enjoy these posts, please help me, and consider sharing.  [Also, please visit my other blog: Alternate Tales: Great Art Repurposed.]